REFERENCE MATERIAL
CIRCULATION: Constructing - a systems analysis
Episode 1 - Dilek Winchester
TITLE: List of members for Artists Cafe at Hutchinson Internment Camp
DATE: December 1940
FORMAT: Document - printed ephemera
COLLECTION: Tate Archive
CREATOR: FRED UHLMAN
PRODUCTION DATE: 1940
CATALOGUE NUMBER: Art.IWM ART LD 7541
Object description
image: the interior of the café of Hutchinson internment camp, near Douglas on the Isle of Man. Nine male German internees sit around a long table, four of the men wearing glasses. Washing hangs along two clothes lines above them.
Episode 2 - Bengu Karaduman
Medium Gouache and pencil on printed paper on cardstock Dimensions 7 1/2 x 9 1/2" (19.1 x 24.1 cm)
Copyright © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris
Episode 3 - Pinar Hosafci
Episode 4 - Vahap Avsar
IMMUNITY: Seeding & Sprawling - the Family
Geoffrey Hendricks, Seeding, 1975 from Electronic Arts Intermix
Seed Stand 1800–1825
United Society of Believers in Christ’s Second Appearing (“Shakers”), Mount Lebanon, New York
from the Metropolitan Museum
from New York Public Library Digital Collections
Title D. M. Ferry & Co's. standard seeds.
Collection Commercial posters
Dates / OriginDate Issued 1895 - 1917 (Approximate)
Jakob von Uexkuell, Theoretical Biology, 1864-1944
from the British Museum
Museum number 1984,0124,0.1.44
Description Watercolour painting with a pen and ink border of cotton production. A man sits on the floor ginning cotton to separate the fibres from the seeds. He sits in front of a wooden frame through which he is ginning the cotton. He wears yellow trousers with a white tunic and red turban. Behind him are two baskets of cotton. Standing facing him is a woman wearing yellow trousers, a red tunic and a green shawl that covers her head and shoulders. On her head she balances a large basket of cotton. She points at the seated man with her left hand.
REPRODUCTION: Harvesting the Land - Rural & Agriculture
@oldfruitpics
Miya Masaoka, Adventures of the Solitary Bee, 1999, 8'32"
In these insect works, she uses her body as a blank canvass for the insects to explore. In “Ritual For Madagascar Hissing Cockroaches,” she gives agency to the insects, as their movements trigger samples of their pre-recorded sounds and contribute to the structure and content to the piece.